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He then offers to take Dorothy and Toto home in his hot air balloon. As Dorothy and the Wizard prepare to depart, Toto jumps off and Dorothy goes to catch him so the balloon leaves with only the Wizard.
Glinda appears and tells Dorothy the Ruby Slippers will take her home. Dorothy wakes up in Kansas surrounded by her family and friends.
Everyone dismisses her adventure as a dream but Dorothy insists it was real and says she has learned there is no place like home.
The script went through a number of writers and revisions before the final shooting. Cannon had submitted a brief four-page outline.
In his outline, the Scarecrow was a man so stupid that the only employment open to him was literally scaring crows from cornfields and the Tin Woodman was a criminal so heartless he was sentenced to be placed in a tin suit for eternity; this torture softened him into somebody gentler and kinder.
Afterwards, LeRoy hired screenwriter Herman J. Mankiewicz , who soon delivered a page draft of the Kansas scenes and a few weeks later, a further 56 pages.
Noel Langley and poet Ogden Nash were also hired to write separate versions of the story. None of these three knew about the others, and this was not an uncommon procedure.
Nash delivered a four-page outline, Langley turned in a page treatment and a full film script. Florence Ryerson and Edgar Allan Woolf submitted a script and were brought on board to touch up the writing.
They would be responsible for making sure the story stayed true to the Baum book. However, producer Arthur Freed was unhappy with their work and reassigned it to Langley.
In addition, Jack Haley and Bert Lahr are known to have written some of their own dialogue for the Kansas sequence. The final draft of the script was completed on October 8, , following numerous rewrites.
Along with the contributors already mentioned, others who assisted with the adaptation without receiving credit include: The original producers thought that a audience was too sophisticated to accept Oz as a straight-ahead fantasy; therefore, it was reconceived as a lengthy, elaborate dream sequence.
Because of a perceived need to attract a youthful audience through appealing to modern fads and styles, the score had featured a song called " The Jitterbug ", and the script had featured a scene with a series of musical contests.
A spoiled, selfish princess in Oz had outlawed all forms of music except classical and operetta , and went up against Dorothy in a singing contest in which her swing style enchanted listeners and won the grand prize.
This part was initially written for Betty Jaynes. Hunk the Kansan counterpart to the Scarecrow is leaving for agricultural college and extracts a promise from Dorothy to write to him.
Further, Dorothy lived inside a farmhouse which had its paint blistered and washed away by the weather, giving it an air of grayness. The house and property were situated in the middle of a sweeping prairie where the grass was burnt gray by harsh sun.
Aunt Em and Uncle Henry were "gray with age". Effectively, the use of monochrome sepia tones for the Kansas sequences was a stylistic choice that evoked the dull and gray countryside.
LeRoy had always insisted that he wanted to cast Judy Garland to play Dorothy from the start; however, evidence suggests that negotiations occurred early in pre-production for Shirley Temple to be cast as Dorothy on loan from 20th Century Fox.
The tale is almost certainly untrue, as Harlow died in , before MGM had even purchased the rights to the story. The documentary The Wonderful Wizard of Oz: The Making of a Movie Classic states that Mervyn LeRoy was under pressure to cast Temple, then the most popular child star, but at an unofficial audition MGM musical mainstay Roger Edens listened to her sing and felt that an actress with a different style was needed; a 50th anniversary documentary for the film suggested that Temple, then years-old, was slightly too young for the part.
Actress Deanna Durbin , who was under contract to Universal Pictures , was also considered for the part of Dorothy.
Durbin, at the time, far exceeded Garland in film experience and fan base and both had co-starred in a two-reeler titled Every Sunday.
Wallace Beery lobbied for the role, but the studio refused to spare him during the long shooting schedule. Instead, another contract player, Frank Morgan , was cast on September Meinhardt Raabe , who played the coroner, revealed in the documentary The Making of the Wizard of Oz that the MGM costume and wardrobe department, under the direction of designer Adrian , had to design over costumes for the Munchkin sequences.
They then had to photograph and catalog each Munchkin in his or her costume so that they could correctly apply the same costume and makeup each day of production.
Gale Sondergaard was originally cast as the Wicked Witch. She turned down the role and was replaced on October 10, , just three days before filming started, by MGM contract player Margaret Hamilton.
According to Aljean Harmetz, the "gone-to-seed" coat worn by Morgan as the wizard was selected from a rack of coats purchased from a second-hand shop.
But Baum biographer Michael Patrick Hearn says the Baum family denies ever seeing the coat or knowing of the story; Hamilton considered it a concocted studio rumor.
Filming commenced October 13, on the Metro-Goldwyn-Mayer studio lot in Culver City, California under the direction of Richard Thorpe replacing original director Norman Taurog , who filmed only a few early Technicolor tests and was then reassigned.
According to most sources, ten days into the shoot Ebsen suffered a reaction to the aluminum powder makeup he wore though he did recall taking a breath one night without suffering any immediate effect.
He was hospitalized in critical condition and subsequently was forced to leave the project; in a later interview included on the DVD release of The Wizard of Oz , he recalled the studio heads appreciated the seriousness of his illness only after seeing him in the hospital.
Filming halted while a replacement for him was found. His replacement Jack Haley simply assumed he had been fired. This meant that all the scenes Garland and Hamilton had already completed had to be discarded and reshot.
The makeup used for Haley was quietly changed to an aluminum paste, with a layer of clown white greasepaint underneath to protect his skin; although it did not have the same dire effect on Haley, he did at one point suffer an eye infection from it.
At first thought to be lost for over seven decades, a recording of this original version was rediscovered in Cukor did not actually shoot any scenes for the film, merely acting as something of a "creative advisor" to the troubled production and because of his prior commitment to direct Gone with the Wind , he left on November 3, when Victor Fleming assumed directorial responsibility.
Production on the bulk of the Technicolor sequences was a long and exhausting process that ran for over six months, from October to March Most of the cast worked six days a week and had to arrive as early as 4: All of the Oz sequences were filmed in three-strip Technicolor.
The first take ran well, but in the second take the burst of fire came too soon. The flames set fire to her green, copper-based face paint, causing third-degree burns on her hands and face.
She spent three months healing before returning to work. In later years, when the film became firmly established as a classic, Vidor chose not to take public credit for his contribution until after the death of his friend Fleming in Principal photography concluded with the Kansas sequences on March 16, ; nonetheless, reshoots and pick-up shots were filmed throughout April and May and into June, under the direction of producer LeRoy.
At this point, the film began a long arduous post-production. Arnold Gillespie had to perfect the various special effects that the film required, including many of the rear projection shots.
The MGM art department also had to create the various matte paintings for the background of many of the scenes. One significant innovation planned for the film was the use of stencil printing for the transition to Technicolor.
Each frame was to be hand-tinted to maintain the sepia tone; however, because this was too expensive and labor-intensive, it was abandoned and MGM used a simpler and less expensive variation of the process.
This also meant that the reshoots provided the first proper shot of Munchkinland; if one looks carefully, the brief cut to Dorothy looking around outside the house bisects a single long shot, from the inside of the doorway to the pan-around that finally ends in a reverse-angle as the ruins of the house are seen behind Dorothy as she comes to a stop at the foot of the small bridge.
Test screenings of the film began on June 5, LeRoy and Fleming knew that at least 15 minutes needed to be deleted to get the film down to a manageable running time; the average film in ran for just about 90 minutes.
The Witch Is Dead ", and a number of smaller dialogue sequences. This left the final, mostly serious portion of the film with no songs, only the dramatic underscoring.
One song that was almost deleted was "Over the Rainbow". MGM had felt that it made the Kansas sequence too long, as well as being far over the heads of the target audience of children.
The studio also thought that it was degrading for Garland to sing in a barnyard. LeRoy, uncredited associate producer Arthur Freed and director Fleming fought to keep it in, and they all eventually won.
The song went on to win the Academy Award for Best Song of the Year, and came to be identified so strongly with Garland herself that she made it her theme song.
After the preview in San Luis Obispo in early July, the film was officially released in August at its current minute running time. Arnold Gillespie was the special effects director for the film.
The tornado scene was especially costly. Gillespie used muslin cloth to make the tornado flexible after a previous attempt with rubber failed.
He hung the 35 feet of muslin to a steel gantry and connected the bottom to a rod. By moving the gantry and rod, he was able to create the illusion of a tornado moving across the stage.
The Cowardly Lion and Scarecrow masks were made of foam latex makeup made by makeup artist Jack Dawn , who was one of the first makeup artists to use this technique.
Hamilton was wearing her green makeup at the time, which was usually removed with acetone due to the toxicity of its copper content. The film is widely noted for its musical selections and soundtrack.
The song was ranked first in two lists: Georgie Stoll was associate conductor and screen credit was given to George Bassman , Murray Cutter , Ken Darby and Paul Marquardt for orchestral and vocal arrangements as usual, Roger Edens was also heavily involved as an unbilled musical associate to Freed.
Several of the recordings were completed while Ebsen was still with the cast. Therefore, while he had to be dropped from the cast due to illness from the aluminum powder makeup, his singing voice remained in the soundtrack as noted in the notes for the CD Deluxe Edition.
Haley spoke with a distinct Boston accent , thus did not pronounce the r in wizard. By contrast, Ebsen was a Midwesterner , like Garland, and pronounced it.
Due to time constraints, the song was cut from the final theatrical version. The film footage for the song has been lost, although silent home film footage of rehearsals for the number has survived.
The sound recording for the song, however, is intact and was included in the two-CD Rhino Records deluxe edition of the film soundtrack, as well as on the VHS and DVD editions of the film.
A reference to "The Jitterbug" remains in the film: Another musical number cut before release occurred right after the Wicked Witch of the West was melted and before Dorothy and her friends returned to the Wizard.
This was a reprise of "Ding-Dong! The Witch is Dead! Please help to establish notability by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention.
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